Resist Design on Porcelain

The last couple of posts I talked about the tall urn forms I am making, and the many steps involved.  This next step is what I consider just plain boring! ( I think I need a book on CD to listen to).  This is the part where I sit for hours rubbing away the clay which is not covered by the resist design. I cannot do them all in one day, I’ll go crazy. ( Maybe I should think of it as meditation instead).  I take many breaks, as I have seven of these urns to complete, plus six little ones.   I”ll take about a week to finish them, doing one a day, in between all my other work.  Here are some photos of this part of the process.  You can see the finished piece on my website.

Resist Design

Piece on the left with clay wiped away

Ready for the Bisque Firing



Salt Cellar, for the Foodie Contingent

There are a number of items I make as a functional potter aside from the typical mug and bowl.  Among them are butter keepers, egg cups, garlic grate dishes and salt cellars.  I like to call them gifts for the “Foodie Contingent”.

My favorite item which I started making this past January are Salt Cellars.  They are so tiny and elegant.  Here is a photo of them drying on my sun filled work table. (It’s starting to feel like Summer!)  For the finished version check my shop page at


Biodegradable Urns at Lucia Pottery

For years I have been wanting to create a pot that does not have to be fired, but can still serve a function and be used…  I guess it’s the environmentalist in me.  Every time I fire that kiln I think about where is the energy coming from.  I ask myself what can I make that is still considered pottery, and leave its mark on someone’s life, but will also leave just a little mark on our resources.

So what would a pot like this entail?  

For the past year I have been working on this idea for an urn made of recycled paper, and recycled clay. I have been making urns for people and their pets for the past five years.  So making a biodegradable urn made so much sense for me.  It does not have to be fired because there is so much paper in it… so think of it as handmade paper with clay to give it form.

Here is a little slide show of the urns.  I took these photos last fall in our back woods near the Green River.

See this and all of my work on my brand new website coming tomorrow at noon!

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Clover Leaf Urn

Back in March I talked about tiles, patterns, and sketches for larger pieces.  I showed a picture of a new clover leaf pattern urn drying… well here is the finished product!   This is a pattern I have been using for years is various ways on clay.  The repetitive stamped pattern has always intrigued me in the way it creates an optical illusion between positive and negative space. 


This piece and lots of other goodies will be on the new website coming soon! 

Teapots and Lids

My last two posts were about lids, so this one is about the teapots that go along with those lids.  With the Asparagus Valley Pottery Trail only two weeks away, and only one teapot left I thought I’d better make a few more.  Hopefully I’ll have them all glazed in two weeks!  Yikes 

Throwing Lids of the Hump, Part 1

One of the harder things for students to learn is throwing a lid off the hump.  For you non potter’s out there, this means, throwing a small lid, cup, or bowl off a larger piece of clay.  This works very well because you can thrown many repetitive pieces without having to wedge each piece individually.  Below I am teaching, “Big Girl Pottery Class” how to throw a lid with a flange.


The below photo I am using back of my fingernail to create a straight line to place the wire tool.  The cut comes out even if you keep your eye on one side of the line.

White on White Pottery/Snow Falling

Maybe I’m influenced by my surroundings… ya think?  I have lots of shades of green pottery, and shades of white.  Everytime I look out my studio window I see the field, and woods… that’s either green or white!  Ok sometimes brown… and I do have a few brown pots!   The latest forms from this  winter are a new series of white on white urns.  The pieces are approx. a foot in height, thrown on the wheel, trimmed, dried, then the pattern painted on with a resist (like shellac, or wax).  Once the shellac dries the exposed clay is rubbed away with a wet sponge.  It is a long and laborious process, giving beautiful results. 

White on White Vine, Lucia Pottery